Colin Wilson Redivivus: A Plea

Age of Defeat

New Aristeia Edition of Colin Wilson’s Age of Defeat

Aristeia is a small start-up press in London whose initial project, undertaken in collaboration with the Joy Wilson and Colin Wilson Estate, is to return to print in a uniform edition Wilson’s “Outsider Cycle.” People of my age and my intellectual proclivities will likely remember Wilson (1931 – 2013) as the author of non-conformist philosophical books that took the modern condition to task and as a prolific novelist whose Ritual in the Dark, Necessary Doubt, The Mind Parasites, and The Philosopher’s Stone, among others, rehearsed the non-fiction arguments with allegorical verve. Wilson’s first book, the non-fictional Outsider, appeared in 1956 and became a surprise bestseller on both sides of the Atlantic. Wilson’s emergent currency even got him on the cover of Life Magazine.

Aristeia has previously put out a new edition of Religion and the Rebel (which bore the brunt of the establishment’s abrupt turn-around regarding Wilson); it has now given us a new edition of the third installment of Wilson’s philosophical cycle — The Age of Defeat. I am humbled to have been asked to participate in this project by supplying an introduction, “Bucking the Whimper,” to The Age, a book that remains as relevant to the West’s cultural decline as it was when it first appeared. Indeed, the book is the more relevant because the situation is six decades worse than it was in 1958.

The Age, along with Religion and the Rebel, is available either directly through Aristeia or through Amazon. The Amazon price is fifteen dollars, which gets the buyer a handsome trade paperback printed extremely legibly on good paper — not to mention Wilson’s rapier-like critique of the post-war anti-heroic and self-de-masculinizing society of Western Europe and North America. I strongly recommend The Age and hope that no few readers of The Orthosphere will take the risk of purchasing it.

The Motive Urge of the Leftward Ratchet: No Pain, No Gain

Virtue signalling – in sharp contrast to virtuous behavior – is free. You get what you pay for. A sacrifice that costs you little gains you little. So the virtue signalers have to keep at it. They cannot ever rest.

Two Theories of the Renaissance – Berdyaev’s and Spengler’s

Rafael 01 School of Athens

Raphael (1483 – 1520): The School of Athens (Completed 1511)

In the Eighteenth Century, self-congratulatory pamphleteers and encyclopédistes, wanting to effectuate a break with tradition, extol their autonomy, and celebrate what they themselves named the Enlightenment, invented the tripartite historical construction of Antiquity – the Medieval Period – and Modernity.  Edward Gibbon and Georg Wilhelm Friedrich Hegel assume this sequence, as do Voltaire and Auguste Comte.  Modernity, the third term, functions for such thinkers as the designation of their own intellectual super-clarity, which they see as the goal and consummation of history.  Hegel, like his successor Francis Fukuyama, believed that the progress of the human spirit had indeed found its goal in his very cogitations and insights, after which further speculation would be otiose.  The Russian philosopher Nicolas Berdyaev (1874 – 1948), writing in his essay on “The End of the Renaissance” (1922), and in the aftermath both of the Great War and the October Revolution, rejects the construction.  Berdyaev offers a prediction: “The school delineations of history into the ancient, the medieval and the modern, are becoming quickly outmoded and will be discarded from the textbooks.”  Whereas the tripartite construction of history has proven itself quite stubborn despite Berdyaev’s conviction at the time, stubbornness nevertheless validates nothing.  Berdyaev gives his reasons.  Modern history, a term that Berdyaev puts in quotation marks, “is now ending,” he writes, “and there is beginning something unknowable, an historical epoch not yet named with a name.”  An epoch is a break in continuity.  If a new unprecedented phase had broken away from modernity such that “we depart from all the customary historical shores,” then that development would necessarily disqualify modernity from its claim of being the end and validation of all historical processes.  “The world is passing over,” Berdyaev claims, “into a state of flux.”

Berdyaev by 1922 already knew the work of his slightly younger contemporary Oswald Spengler (1880 – 1936), the second volume of whose Decline of the West appeared in that year.  Spengler, like Berdyaev, dismissed the tripartite construction of history as a petty conceit of limited minds.  “In fact,” Spengler writes in the Introduction to the first volume of the Decline (1919), “the lay-out of world history is an unproved and subjective notion that has been handed down from generation to generation… and stands badly in need of a little of that skepticism which from Galileo onward has regulated and deepened our inborn ideas of nature.”  Spengler characterizes the tripartite construction of history as “an incredibly jejune and meaningless scheme, which has, however, entirely dominated our historical thinking.”  Spengler, like Berdyaev, foresees the abandonment of the construction.  “The Cultures that are to come,” he writes, “will find it difficult to believe that the validity of such a scheme with its simple rectilinear progression and its meaningless proportions… was, in spite of all, never whole-heartedly attacked.”  Positing itself as the third-stage goal of a three-stage development, the cynically self-naming modernity “rigs the game.”  Spengler detects in the construction the traces of a displaced apocalypse; it is “Magian,” he writes, owing its essentially religious character to Persian and Jewish apocalypse and to the later offshoots of these, “the Gnostic systems.”  The construction designs to justify “one’s own religious, political or social convictions” by the method of “endowing the sacrosanct three-phase system with tendencies that will bring it exactly to one’s own standpoint.”

Neither Berdyaev nor Spengler denies the existence of a modern phase in the temporal continuity of the West.  On the contrary, both Berdyaev and Spengler acknowledge modernity as something like a total and commanding presence, inveigling itself dictatorially into every corner of life, but they never assent to modernity’s notion of itself.  Whereas modernity sees itself as Reason or Enlightenment, Berdyaev and Spengler see it as occlusion – as a radical diminution of consciousness far from liberating in any true sense, but rather as oppressive and destructive.  Berdyaev and Spengler view modernity in negative terms, as the cause of violent upheavals.  The two writers also agree on the origins of modernity, the earliest glowering of which they assign, perhaps surprisingly, to the Twelfth Century.  Both Berdyaev and Spengler, mention the work of the monk Joachim of Fiore as a foreshadowing of the modern tendency to close down history by calling it to a halt in the consummative present moment.  Both Berdyaev and Spengler see again in Joachim’s hermetic vision the initial glimmerings of what they commonly regard as the first distinctive phase of modernity – the so-called Renaissance of the Italian city-states beginning in the Fourteenth Century.  Naturally, neither Berdyaev nor Spengler interprets the Renaissance as modernity interprets it.  What then is the real character of the Renaissance? And what is the real relation of the Renaissance to the prevailing cultural dissolution of the modern centuries, according to the two thinkers?

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The Acid Eating at Tradition is Not Capitalism, But Cheap Information

Reactionaries often blame capitalism for eviscerating tradition and reducing everything to the lowest common denominator. But capitalism – i.e., free exchange – is not a recent phenomenon. It was not invented by the Franciscans, forsooth, but rather discovered by them as a subject amenable to moral, theological and philosophical analysis, and so to discourse, development and elaboration. Capitalism has been around since the beginning of human society. It is no more than a fancy word for exchange that develops surplus, after all; for mere trade, and commerce. For almost all of human history, capitalism supported and indeed mediated local tradition – or, at least, did not vitiate it.

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The Corollary of the Golden Rule

Do unto others as you would have them do unto you. So then likewise: as you do unto others, so would you have them do unto you.

Social Justice Warriors always project (hat tip: Vox Day). They insist that we foment violence and hatred, e.g., when it is of course they who mostly do so. They accuse us of being antiscientific, when of course they are the ones who reject the plain data and revolutionary discoveries of climatology and of genetics, which radically undermine their most precious most romantic notions of how humans really are and how life might be, if only it were not for our deplorable sort. They accuse us of being intolerant and close-minded, when of course they are the ones who are most intolerant and close-minded. They accuse us of irrational barbarity, when of course they are the ones who rage and foam inarticulately – who tear their clothes off in their madness (this is what the OT called “rending one’s garments”) – would be maenads, hapless, hopeless, who have no longer even the art of dismemberment, who know nothing of butchery, or even of sharpening, and a fortiori do not remember how to eat raw bloody male flesh.

There is no point here in rehearsing the myriad instances of such projections on their part. All of us on the Right are quite familiar with the phenomenon.

So here’s the thing that struck me the other day. Our adversaries project upon us their own emotional and intellectual defects and inadequacies. They propose radical policies in response to those defects.

The question then is this: given that they diagnose us as suffering from the defects that in fact bedevil them, may we not infer that the way they propose to treat us is the way that they think – at some deep, unconscious level of their psychic economies – they themselves ought to be treated?

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An Hypothesis about the Origins of the Modern Sacrificial Cult

Rhetocrates commented:

I had an unoriginal thought worked out this morning that I wanted to share. Mostly it’s already well-established, but it does go in a slightly novel direction in explaining the ‘holiness’ spiral of modern society.

Modern progressive liberalism (viz. WW2 and after) is a specific negative type of Christianity. That much is obvious. Where our once-for-all and yet repeated-daily Eucharist (Malachi) is the navel and foundation of our religion, the Holocaust is the navel and foundation of modern progressive liberalism (hereafter MPL to save keystrokes).

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Christian Soteriology Proper Forestalls Specious Holiness Spirals

We can’t work our way into Heaven, for finity is incapable of infinity. Indeed, we cannot achieve anything greater than ourselves, whatever; but only, rather, what is lesser than we. So, Heaven is given to us gratuitously. Our work consists only in accepting its invitation; in wu wei.

So then, there is a difference between interior holiness spirals and exterior holiness spirals. The former are done in secret, and in service of true spiritual ends, so as to accept the invitation of the Logos; whereas the latter are done publicly, and for purposes of social advantage. As essentially worldly, exterior holiness spirals partake the Arms Race to the Degenerate Bottom. They are motivated by the urge to be accepted and approved by the mob. So do they accept the conditions of the mob, and instantiate it.

The Pharisee is an agent of the mob.

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Identity — The Future of a Paradox

Identity 16 Masked Antifas

Those Highly Individuated Champions of the Oppressed Bravely Hiding their Faces

When Publius Virgilius Maro, more familiarly Virgil, accepted the commission from Augustus, formerly Gaius Octavius, to create a national identity for the Roman people by matching the epic precocity of Homer’s Iliad and Odyssey in Latin verse, the imperial presumption can only have been that such an identity did not yet exist or, at least, did not adequately exist, but required to be conjured into a useful state of being.  Virgil’s famous ambiguity about his manuscript of the Aeneid – his having composed a note during his fatal illness asking his friends to burn its pages on his death – has been ascribed by one faction of scholarship to his worry about metrical imperfections in some verses of the poem’s second half.  As only a few such technical flaws make themselves evident, however, some other explanation must be sought.  The German novelist Hermann Broch, in his Death of Virgil (1945), suggests a crisis of conscience, reflecting the poet’s qualm that in synthesizing a myth of Latin and Roman origins so as to settle legitimacy on the adoptive heir of Julius Caesar, and thus also on the newly constituted monarchy into which the Republic had been absorbed, he had falsified tradition and served propaganda, whereas his highest calling was to honor the muse by cultivating her art.  The crisis of identity appears as a theme in the Aeneid, the first six books of which narrate the exile and homelessness of the refugees from Troy, whose buildings the besieging Greeks have toppled and burned, whose men they have slaughtered, and whose women and children they have impressed into slavery.  Troy is no more and no more is the Trojan people.  There is only a desperate remnant in the urgency of its flight. Continue reading

An Eu Logion of Zippy Catholic

The Catholic, Christian and Traditionalist community were shocked and appalled to learn last week that their pillar, blogger Zippy Catholic, had been killed in a bicycle accident last Tuesday evening while riding on a country road.

We are still struggling to reconcile ourselves to this new world, in which Zippy no longer roams about skewering sloppy thought, and so enlightening all of us his readers, interlocutors and students.

It was a severe and devastating blow, completely unanticipated. Zippy was neither old, nor – so far as we knew – ill. So his death came out of left field. No one was prepared for it. He had, we all thought, several decades more of good, fruitful work in him, that all of us would have enjoyed, and that would have profited us all, and man, and the whole human project. We looked forward to that prospect, blithely, happily, as if we possessed it already. Now, it is ripped away from us. We find ourselves bereft, lost, bewildered.

And: we miss him. We want him here with us, still. God damn the evil circumstance that took him from us. And – and – God bless that taking, as proper (as it must have been, necessarily) under the purveyance of Omniscience.

Blessed be the Name of the Lord. Amen. Lord, bless and keep thy faithful servant Zippy Catholic, and make him soon fit to enter into the coruscating Light of thy Holy Presence. Help and heal all his wounds, correct all his defects, and complete him. All this I pray, in the Name of the Father, and of the Son, and of the Holy Spirit. Amen, amen. Hallelujah, hallelujah, thanks be to God. Amen, amen.

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Jorge Luis Borges and Karen Blixen on Ideology and Violence

Borges 08 Orqwith

A Comic-Book Riff on the Second Reality

That most clear-sighted of critics of ideology in the Twentieth Century, Eric Voegelin (1901 – 1986), often called on literature for the light it sheds on distortions of perspective in social doctrine and deformations of consciousness implicit in political movements.  The novelists, poets, and essayists, being often, to the extent that they are non-ideological, highly attuned psychologists and social observers, can penetrate, with heightened perspicacity, into derailments of orderly life and the demonic workings of the libido.  The obvious examples are the novels of the dystopian tradition beginning with Fyodor Dostoevsky’s Possessed (1871) and embracing Valery Bryussov’s Republic of the Southern Cross (1903), Yevgeny Zamyatin’s We (1922), Aldous Huxley’s Brave New World (1932), Karin Boye’s Kallocain, and George Orwell’s Nineteen Eighty-Four (1948).  Novels that one would not ordinarily group with the dystopias can, however, penetrate just as deeply into the genesis of totalitarianism.  The Princess Casamassima (1886) by Henry James is one such brilliant work; Under Western Eyes (1912) by Joseph Conrad is another.  Two even less obvious — but remarkable — cases present themselves in the form of mid-Twentieth Century short fictions by authors whom one would not ordinarily conjoin:  “Tlön, Uqbar, Orbis Tertius” (1940) by the Argentine writer Jorge Luis Borges (1899 – 1986) and The Poet (1934) by the Danish writer Isak Dinesen (the pen-name of Karen Blixen, 1885 – 1962).  A consideration of the two stories will show that Borges and Dinesen had insights that run in parallel with Voegelin’s analysis of totalitarianism as a type of secular religiosity or “Gnostic derailment,” a term whose meaning will emerge in the discussion.

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