Orthodoxy Is Inevitable

Cult effects culture. A people cannot efficiently coordinate their activities except insofar as they share a common understanding of the way things are, and of the proper way to deal with them. At the very least, they must agree about what is real, what reality is like, what it is for, and so forth; they must agree about First Things, and indeed Most Things. This they generally do, without ever even noticing all their myriad agreements; men rather tend to notice only their irksome disagreements, however petty.

Thus to cohere, a culture must recur to its common cult, and must rehearse it together. So is there always an established religion.

A people among whom heterodoxy regarding First Things begins to gain a foothold begins ipso facto to become confused in their motions: in their heads, hearts, and acts. Their loyalties will be divided, vitiated, at least at the margin.

Heterodoxy is cold civil war. Let it compound long enough, and it will go hot. So healthy societies must control for heterodoxy, especially about First Things.

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Profane Hierarchies are Bound to Work Evil

A hierarchy that is not consecrated and thus ordered in all its parts to the vision of the Good vouchsafed by the common cult is as likely to work good as is a broken clock to display the correct time. A profane institution is finally, and thus fundamentally, and thus thoroughly misdirected away from the proper mundane end of all human acts: the achievement, maintenance, repair and restoration of that proper harmony among and within things under and toward heaven, in virtue of which alone is there any health, prosperity, propagation, contentment, wisdom.

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Of Possible Interest

Waltari

Mika Waltari

My essay A Novel for Our Time appears at Baron Bodissey’s Gates of Vienna website.  The “novel for our time” is Dark Angel (1952) by the Finnish writer Mika Waltari (1931 – 1979), a fictionalized account, drawing on historical sources, of the Fall of Constantinople in 1453.  Waltari’s work is today largely forgotten, but during his lifetime it received widespread appreciation and made itself available to non-Finnish speakers through translations in a dozen languages.  (Waltari’s novel The Egyptian, for example, would become the basis of a lavishly produced Hollywood film of the same name.)  Dark Angel is partly allegory, being a study in loyalty to civilization and its opposite; and it is partly a call to its audience to remember an event that is increasingly obscure or entirely unknown to most Western people.  Most importantly – and most relevantly from the perspective of sixty years later – Dark Angel is an attempt to grasp the essence of Islam.  Waltari’s characterization of Islam stands at an angle to a number of assumptions that critics of that creed at  the present time make of it – and in a way that heightens the claim of radical incompatibility between Islam and the West.

More on Defection

For those who are interested, Quincy Latham and I have continued over at Quas Lacrimas with our discussion of issues and problems raised in my recent post, The Summary of the Law is the Sine Qua Non of Society Per Se. Quincy has published two posts of worthwhile reflections: Defection and Discussion of “Defection”. I have responded at length to both of his posts, and other commenters have raised a number of interesting tangential issues.

The Summary of the Law is the Sine Qua Non of Society Per Se

The Summary of the Law is composed of two Great Commandments that both take the form “thou shalt:”

Jesus said unto him, Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy mind. This is the first and great commandment. And the second is like unto it, Thou shalt love thy neighbour as thyself. On these two commandments hang all the law and the prophets.

Matthew 22:37-40

Notice then that in the Decalogue, there are only two commandments that are likewise prescriptive:

Remember the sabbath day, to keep it holy. (Exodus 20:8)

Honour thy father and thy mother … (Exodus 20:12)

These four prescriptives are related. Those of Exodus are corollary elaborations of those given by Jesus as the foundation of all law. Thus:

  1. Love God, for he who is supreme deserves no less than your supreme loyalty; so, therefore: Keep holy and lively his Cult; preserve its doctrines and faithfully observe its observances, such as the sabbath, rituals, fasts and feasts, and so forth.
  2. Love your fellow as if he were a human being like you, or there’ll be hell to pay; so, therefore: Honor your parents; likewise ergo the things that they honor: keep and honor your kin, and your patrimony.

If you are not doing these things, you have no society. If you don’t agree about First Things, you’ll have a hell of a time reaching completely harmonious and pacific agreement about anything else, including how people ought to treat each other; and if you don’t agree about that, you won’t care about keeping a patrimonial tradition; so that you won’t have a perdurant culture, or therefore a robust and durable people. No cult, no culture; no culture, no nation.

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Law per se Establishes Religion

It is silly to suggest that morality cannot be legislated. Legislation *just is* the legislation of morality. Laws are formal promulgations of the convictions of the mighty regarding what is ill done, and by implication what is well enough done. Laws tell us what it is important to do, and what it is important not to do; by what they omit to cover, they tell us what is not important, what is in the eye of the Law neither here nor there. Statute by statute, they constitute a written and procedural record of a comprehensive moral vision of things.

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Of Possible Interest: Flaubert on Early Christianity

Flaubert

Given the productive discussion that has ensued from my quotations from Constantine’s Edict of Milan and Theodosius’ Codex here at The Orthosphere, I thought that it would not be inappropriate to call attention to an article of mine that appears in the latest number of Anthropoetics, the online journal of Generative Anthropology and related sciences.  The article bears the title, Flaubert’s Tentation de Saint-Antoine : Three Approaches.  Educated people know Gustave Flaubert (1821 – 1880) mainly as the author of Madame Bovary (1857) and A Sentimental Education (1869), classics of the Nineteenth Century social novel – and simply of the novel.  Like the poet Charles Baudelaire (1821 – 1867), Flaubert stands in a line of dissentient artists and intellectuals who, in France, stem from the counter-revolutionary thinking of Joseph de Maistre (1753 – 1821).  That fact by itself should attract the interest of Traditionalists; but more than that, Flaubert maintained a lifelong fascination for the history of religion, most particularly that of Christianity.  Indeed, the work that occupied Flaubert longer than any other and which he considered to be his masterpiece, is La tentation de Saint-Antoine (final version 1870).  La tentation is difficult work to describe.  It is in some fashion a novel, but it is otherwise a drama of the imagination in the form of an internal monologue by the famous instigator of desert monachism (the Thebaïd) whose life spanned the last half of the Third and the first half of the Fourth Centuries.

Flaubert wrote a number of other works with a religious content, notably his Trois Contes or Three Tales (1877), one of which is about Herod, John the Baptist, and Salome, another about St. Julian the Hospitaler, and the third about a naive but pious woman who lives out her life in the confines of small village. Flaubert’s Salammbô (1862), set in Carthage just after the First Punic War, treats the notorious Moloch Cult in detail.

The article not only offers an interpretation of La tentation  from three perspectives – Voegelinian, Girardian, and Gansian – but it also traces the unexpected influence of the masterpiece on later writers. John Dos Passos’ first important novel, Three Soldiers (1921), an autobiographical fictionalization of its author’s wartime experiences, frequently alludes to and may be said to absorb La tentation.

Two Christianities (and Islam)

Constantine the Great

From The Edict of Milan (February 313 AD): “Perceiving long ago that religious liberty ought not to be denied, but that it ought to be granted to the judgment and desire of each individual to perform his religious duties according to his own choice, we had given orders that every man, Christians as well as others, should preserve the faith of his own sect and religion.

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