Of possible interest to Orthosphereans, my essay concerning Sex, Movies & Traditionalism on Mars has appeared at Angel Millar’s invariably edifying People of Shambhala website. The essay concerns independent Minnesota-based filmmaker Christopher Mihm, whose Saint Euphoria Studios has found a niche – and an audience – in the production of low-budget black-and-white retro-pastiches resembling the B-grade science fiction and horror movies of the 1950s. I argue in Sex, Movies & Traditionalism on Mars that Mihm’s Cave Women on Mars (2008) is a cryptically non-politically correct film that employs a studied rhythm of low-comic japes and serious storytelling to argue for sexual dimorphism, with all its attendant and historically understood differences, as the basis of social life, expressing itself most essentially in the formation of the customary family, with its aim of bringing procreation under morality.
The essay also explores the question whether, in a politically correct environment, it might nowadays only be possible to articulate traditional insights, in public, by indirection. Mihm’s film-festival audiences are undoubtedly liberal, and it appears that he has found a formula for making his dissentient points subliminally and covertly.