Moreover, howsoever you build your career, one thing will be certain, you are ‘on the left’ politically, vindicated by all the righteous causes (whatever they might be) [I love that bit] of the day, and therefore immune from serious criticism. Your academic discourse is really play, self-expression, jouissance. What matters is where you stand, and in this you are impeccably correct, secure in your academic entitlement, and a worthy recipient of taxes paid by the bourgeoisie.
Roger Scruton, Fools, Frauds and Firebrands. p. 196
The Parisian nonsense machine [Althusser, Lacan, Deleuze] was used to mount a ballistic assault on the bourgeois culture, throwing dense blocks of impenetrable Newspeak over the battlements into the public square of the beseiged city. The effect was to destroy the conversation in which civil society depends. All delicate ideas concerning law, constitution and the roots of civil order, all the ways in which human beings argue over rights and duties, honor their opponents and seek for compromise, were flattened by mathemes, ‘deterritorialized’ and buried beneath the debris of the great Event. This was the turning point in a battle that has now been raging for a century – the battle to take possession of the culture, by defining the intellectual life as an exclusively left-wing preserve.
Roger Scruton, Ibid, p. 197
Alan Sokal’s efforts via the post-modern generator fail to get literary journals to close up shop because something’s being nonsense is beside the point. Of course the editors can’t tell the difference between sincere nonsense and satirical nonsense. How can you parody something that is itself a parody of thought?