The Fall was a tragedy: a conflict of irreconcilable cosmic and moral imperatives, binding upon all the actors, that can find its final resolution only at final consummation of the eschaton, when Christ shall be all in all, and Lucifer and his minions damned forever in virtue of their own incorrigible permanent decision.
What can we learn from this about the dramatic form of tragedy? What, then, do we learn about drama in general? Tragedy is both root and summit of drama, and its apotheosis. Comedy is a type of tragedy; it is tragedy writ small, and only trivially injurious (it is funny when Buster Keaton falls down; it would not be funny if he fell upon a spike and bled there to death, pinned and writhing).