Julius Evola (1898 – 1974), The Bow and the Club (in Italian, 1968; English translation by Sergio Knipe, 2018): Julius Evola gained notoriety with his Revolt Against the Modern World (1934), a trenchant book as apposite to the current phase of modernity in the 2020s as it was to the inter-war phase in whose midst it appeared. Men among the Ruins (1953) and Ride the Tiger (1961) carried forward the analyses and conclusions of Revolt. Evola’s authorship looms large, encompassing works major and minor. A late entry in Evola’s bibliography, The Bow and the Club, which perhaps qualifies only as a minor one, anthologizes nineteen independent essays from the 1950s through the 1960s, rewriting them with some cross-references, so as to lend unity to their collocation. “The Psychoanalysis of Skiing” illustrates Evola’s acumen in cultural analysis: Diversion although trivial can testify to the social condition and to the pervasive attitude. Evola remarks the recentness of skiing as a popular sport even while casting doubt on its sportive status. Whereas mountaineering, also recent, requires strength, courage, and skill, skiing, in Evola’s view, simply makes use of gravity. One emphasizes the ascent – the other the descent. The skier must, of course, ascend before he descends, but “the problem has been solved by building cableways, chair lifts, and sledge lifts that meet the real interest of skiers by effortlessly taking them up.” The very mechanization of skiing ranks it, as Evola writes, “among those [activities] most devoid of any relation to the symbols of the previous world-view.” Evola detects in skiing an essential passivity. The thrill of the downhill run reflects the general “collapse and downfall” of the modern world, to which the skier gleefully submits. Evola relates skiing to “naturism,” his word for nudism. A demon of shamelessness indeed hovers over the piste. The notorious hot-tubs of the Sierra-Nevada ski lodges, although they post-date Evola’s death, affirm his intuition.