Jubilee

A son of the South (I am a fils of les gens de couleurs libres, who fought first for the independence of Louisiana and then for the abolition of slavery), I naturally experience some emotional ambiguity concerning General Sherman’s “March to the Sea.”   Nevertheless, in light of Kristor’s “Jubilee” theory  of polity, I recommend New-Yorker Henry Clay Work’s “hit song” of 1864, “Marching through Georgia.”  Here are the lyrics. —

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Proposing a Casual Seminar

Richard Cocks and I have proposed to ourselves a summer reading project on the linked topics of aesthetics and kallistics.  We invite interested parties to join us, if they like.  The reading-list consists of four items chosen because of their germaneness to the two topics, but also because they are relatively short and mainly accessible to non-specialists, such as the two of us.  I give these four titles in the order in which we propose to read them. –

W. F. Hegel: Lectures on Aesthetics (1818)

 Plotinus: On Intellectual Beauty (circa 250 AD)

 Friedrich Schiller: Letters on the Aesthetic Education of Man (1794)

 Plotinus: On the Three Initial Hypostases (circa 250 AD)

The curriculum is plastic.  Richard and I plan to have read Hegel’s Lectures by the middle of June.  We will write up a short summary of our discussion to be posted at The Orthosphere, with an invitation to comment.  We plan to have read Plotinus’ On Intellectual Beauty by the end of June, and so on, encompassing Schiller’s Letters and Plotinus’ On the Three Initial Hypostases, which is, notwithstanding its odd-sounding name, also concerned with beauty.

It strikes both Richard and me that beauty is central to the Traditional view of “life, the universe, and everything.”  It strikes us both that beauty is increasingly under attack in the postmodern dispensation, which either denies its existence or declares it to belong to the institutions of oppression.  We believe therefore that a concerted introductory study of aesthetics and kallistics will be useful to those who participate, especially insofar as it results in a better understanding of beauty as an objective and integral element or character in the order of being and the structure of reality.

The titles given above in bold green typescript are links to online versions of the four items.  I will be reading Hegel and Schiller in the convenient Penguin editions (in English translation); Richard will probably be reading Plotinus, as will I, again in the Penguin edition of the Enneads, in the translation by Stephen McKenna and B.S. Page.  The Penguin edition, while no longer in print, is easily available in second-hand copies.

 

Will California Follow Atlantis?

Apocalyptic LA 03

The Implacability of the Karmic Law

Lewis Spence (1874 – 1955) published his prophetic account Will Europe Follow Atlantis in 1943 at the nadir of Allied fortunes during the Second World War.  Spence, beginning as a journalist and folklorist, had made an enduring reputation by the early 1920s as a major authority on myth and legend, certifying his knowledge of those subjects in numerous books on the ancient stories of the Celts, the Rhineland Germans, the Greeks, the Romans, the Egyptians, the Mesopotamians, and the Mesoamericans.  These extremely useful compendia remain in print.  In 1924, however, Spence issued a book that gained him notoriety for a different although related reason.

This book in question was The Problem of Atlantis, a study of Plato’s Atlantis Myth in its twin sources, the dialogues Timaeus and Critias, of related stories in myth and folklore, and, with a survey of geology and ethnology, of the plausibility in Plato’s account.  In The Problem of Atlantis, Spence, in jazz terminology, played it cool.  While arguing for a factual basis of the narrative in the Platonic texts, Spence avoided the occult vision of Atlantis as a prehistoric Utopia founded on lost sciences and technologies.  He insisted on sober evaluation of the evidence, arriving at the conclusion that Atlantis had existed, as Plato wrote, in the oceanic gap between Western Europe and North America; that it was, prior to its submergence, a High Stone Age, what modern commentators would call an Upper Neolithic, society; and that, during a prolonged breakup of its landmass requiring many centuries, its inhabitants migrated via North Africa and Iberia to Europe’s Atlantic littoral areas and the British Isles.  Ensconced in those new bases, they did their best to preserve their traditions and codify the knowledge of their origin.  The fleeing Atlanteans, whom Spence calls Aurignacians, and whom he identifies with the Cro-Magnons, also crossed the ocean in the other direction, contributing to the cultural matrix of the emerging societies in North and South America.  Spence’s argument about Atlantis was a radical version of a then-current anthropological theory known as dissemination or cultural radiation, which posited a monogenesis for human culture.

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For the Love of God: Read Old Books

A few months before the US elections of 2016, my creative output cratered. I had got interested in the news, and begun to follow it. I stopped reading books, instead reading articles online. Most of them were pretty good, and I learned some interesting stuff from them. But what I learned was mostly obsolescent just a few weeks later. This is to say that it didn’t matter, and I shouldn’t have wasted my time on it.

If you want to be creative, or good, or in touch with things as they are, you simply must cut off almost all consumption of media. You must instead go for walks under the sky, read old books that don’t much pertain to our current travails, spend time in prayer, contemplation and silence, get away from the noise and the hurry of any sort, and turn your attention to heavenly things, and away from earthly things. Earthly things are all dead (this is why they vanish like chaff in the wind). Your life – your real life, your true life, the one that truly matters to you and to those whom you love (especially your children) – is hid with Christ in God. Seek it there. Seek him there.

OK: now to check up on Drudge …

 

Truth versus the Crowd in the Work of René Girard

Girard Excellent Photo-Portrait

Born in Avignon in 1923, the late René Girard (deceased 2015) trained in Paris during the German occupation of France as a specialist curator of medieval documents; beginning in 1949 he taught in the USA as a professor-generalist in history. He would eventually arrive at a fundamental insight regarding human nature that puts him on the level with the most profound anthropological thinkers in the Western or any other tradition. The road to this insight reached across a decade and required a change of scholarly interest. Girard first made his name, after switching his scholarly focus and obtaining a doctorate in French Literature at Indiana University in 1958, as a literary critic, with his study of vanity and resentment in prose narrative called, in French, Mensonge Romantique et Vérité Romanesque (1962). Deceit Desire & the Novel studies the authorial obsession with the genesis of misery in the tendency of the human subject to acquire his desires from what he takes to be the desire, or object-of-desire, of another person. Novelistic protagonists indeed imagine that absolute being, seemingly denied to them, resides embodied in the other person so that the subject wants and attempts to become that other person. Girard had discovered in the novelists the non-originality of desire. He had also discovered—or rather, the novelists had discovered—a complex psychology and a related oblique rhetoric, the Mensonge Romantique or “Romantic Lie” of the French original, that systematically deny this non-originality of desire and claim the complete, yet miserable, sufficiency of the ego. Even more simply, Girard had discovered the centrality of mimesis or “imitation” in psychology and culture.

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The “Ula Lu La Lu” & Consciousness: Meditations on an Imagist Poem by William Carlos Williams

Botticelli Venus

Sandro Botticelli: Venus (1486)

Introduction. The American poet William Carlos Williams (1883 – 1963) began his authorship with imagist poems and quirky mixtures of prose and verse like Spring and All (1923), a book that intersperses paragraphs of speculation concerning poetry, consciousness, and the world with seemingly improvised but in reality carefully composed verse-effusions that attempt an audacious transformation of the banal into the sublime.  Scholars of Twentieth-Century American poetry invariably categorize Williams as modern or avant-garde, but I would argue that Williams continues strongly in the Transcendentalist or American-Romantic tradition of the century previous to his own.  Spring and All, supposedly an epitome of idiosyncratic American modernism, offers a case in point, even in those statements where Williams appears to reject tradition altogether and extols the virtue of “the imagination, freed from the handcuffs of ‘art.’”  In an early prose-sequence of Spring and All, Williams denounces those whom he calls “The Traditionalists of Plagiarism.”  Williams uses the term plagiarism in an unusual way, as a failure of consciousness  and perception to rediscover the newness and beauty – indeed even the sublimity – of the given world in all its particulars.  In effect, in Spring and All, Williams engages a new version of the Romantic critique of complacency, recording, as he puts it, “our despair at the unfathomable mist into which all mankind is plunging.”

Complacency is the failure of imagination to invest fully in the structure of reality and the order of being; complacency is the epistemological and cognitive counterpart of original sin.  Williams, like all good Romantics, aims at redeeming humanity from its wretched lapse, its Winter of Discontent, so as to establish men and women in the paradisiacal springtime of refreshed apprehension.

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An Acerbic Opinion

TFB comme Frenchman

Moi comme un Gentilhomme de la Belle Nation

The other day in my Introduction to Literary Criticism course, I contested a student’s objection to my thesis that, whereas there might be many plausible interpretations of John Keats’ poem “Ode on a Grecian urn,” it would nevertheless not be the case that every interpretation of “Ode on a Grecian urn” was equally plausible or even plausible at all.  Furthermore, I reasoned, the range of interpretations might be graded according to their plausibility, from least to most, in a hierarchy.  The student’s agitated insistence was that, “everybody has his own opinion.”* (As if no one had ever heard that before.)  I immediately responded that “opinion” was an irrelevant category; and that, in any case, where it concerns any particular topic, the number of opinions is strictly limited.  In respect of Topic X, there are probably only two opinions, or at most three.  The claim that “everybody has his own opinion” is therefore absurd.  To put it in plausible English, one would have to say that, “In respect of X, everyone has one opinion or another, of a limited set.”  One of the definitions of “opinion” is that an opinion is a freely circulating, conformist view about a topic, entirely unoriginal and non-proprietary.  People never have opinions; they borrow or endorse them, at which point the opinions have them.

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René Girard – Imitation and Life Without God

In preparation for teaching a literature course in the 1950s, René Girard reread some of the classic novels. In the process he realized that the novelists had had profound insights into aspects of the human condition and that to a large degree, they were the same insights…

In Deceit, Desire and the Novel, possibly René Girard’s best book, he argues that denying the existence of God does not remove the desire for transcendent meaning. Thwarted from seeking spiritual satisfaction from above, the desire gets directed towards other people who it is imagined have god-like qualities of self-sufficiency and autonomy and that we alone have been excluded from this divine status – creating resentment and compounding human misery.

Likewise, various utopian ideas are an attempt to create heaven on earth, frequently creating hell on earth. Trying to satisfy transcendent desires in the realm of the immanent is a disaster, both in politics and in relationships between people.

In this essay published at the Sydney Traditionalist Forum, I also draw connections between Girard and St. Augustine’s notions of the role of God in human life.

René Girard – Imitation and Life Without God

Consciousness, Culture, and Art: Informal Comments on an Imagist Poem by William Carlos Williams

flowers-in-pot-01

Ou Li Da

The poem to which this essay’s subtitle refers is one of the much-excerpted and much anthologized verse-interpolations in the Menippean combination of verse and prose, Spring and All (1921), that the New Jersey poet William Carlos Williams (1883 – 1963) produced at the acme of his self-consciously Imagist phase in the years after the First World War.  The poem carries no title, but, according to the tenets of Imagism, presents itself to the reader as an instance of res ipso loquitur or “the thing speaks for itself.”  In a later phase of his insistent creativity, Williams would adopt as his poetic motto the formula, “no ideas but in things,” the implication of which is that experience is not solipsistic, nor consciousness hermetic, but that any self-aware navigation of the world presupposes an intentional relation between the navigator and the world that he navigates, which he records as images, ideas, or concepts.  Williams’ poetry in all its phases possesses the charm that its author maintains equal interest in the reality and workings of the external world and in the mystery and joy of the mind that represents and cognizes that reality and those workings.

Williams’ oeuvre offers itself seriously in two other ways: Its author knew that consciousness, language, and culture intertwine with one another aboriginally, so that any investigation of one necessarily entails an investigation of the two others; and he knew that consciousness is historical, that it has traceable origins that suggest the mechanism of its making.

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