The Alexandrov Song and Dance Ensemble originated under the Stalin regime in Russia , but it transcended that regime. The Ensemble sang soldier-songs, folk-songs, and popular Russian songs. About two-thirds of the Alexandrov Ensemble died last year in an airplane-accident over the Black Sea. I might say that it was a suspicious accident, with suspicion lying in the direction of the Turks or Chechen terrorists. The Sacred War (actually, Voyna Narodnaya or People’s War) is a WWII song. But are we not in a Sacred War? To FunkyProfessor: The rod in narodnaya is the same as the rod in Rodino. Long live the Rodino!
I was present at the Shrine Auditorium in Los Angeles in the late 1980s when the Ensemble sang this song by one of the foremost Russian composers —
Here is the last concert of the Alexandrov ensemble —
It is not from any desire to shock my fellow Orthosphereans, but merely in order to explain how, beginning as a bland and generically liberal person, I came finally to be associated with an ultra-right-wing website obviously controlled by the spuriously defunct KGB, that I make the following confession of my long history of seditious crimes and treacherous misdemeanors. The evidence against me is overwhelming. Below is Exhibit No. 1.
Left: Yessen Zhazoursky, Dean of the School of Journalism, Moscow University; Right: Yours Truly (TFB), Doctoral Candidate in Comparative Literature, UCLA. (Fall 1986)
The location was a beach house on Old Malibu Road, with convenient access to the Pacific Ocean hence also to surreptitious traffic to and from casually surfacing Soviet submarines in Santa Monica Bay. (See the recent Coen Brothers film Hail Caesar!) I call attention to a damning detail of the photograph. Obviously the Dean and I are exchanging vital, secret information in the medium of coded inscriptions in a notebook that can be concealed in a jacket pocket. The red stripes of my shirt might also be significant. By the way, the affair had been organized by Pepperdine University, long known as a communist front. Below, again, is Exhibit No. 2.
Nineteenth-century anarchism gave us the idea of “propaganda of the deed.” This refers to the use of outrages and atrocities to bring a political movement or event into public awareness, operating on the principle that there is no such thing as bad publicity. The assassination of the Archduke Franz Ferdinand and his wife, on June 28, 1914, was an example of “propaganda of the deed,” since the aim of Gavrilo Princep was to get people talking about the cause of Serbian independence. As the French socialist Paul Brousse explained: Continue reading →
Whosoever curseth his father or his mother His lamp shall be put out in deep darkness
Proverbs 20: 20
This past December I was standing outside a Louisiana filling station, waiting for my children to do what children do at filling stations on a long drive. To pass the time, I idly read the portion of the first page of the Times Picayune that was visible through the window of the newspaper dispenser. This included a headline announcing the New Orleans City Council decision to remove four Confederate monuments from prominent places in that city, an act in line with the flurry of iconoclasm that had been roiling the South since the Charleston shootings earlier that year. Continue reading →